Rieger Brothers · opus 763 · 1899

Church of the Visitation of Our Lady, Etyek

A one-manual organ with ten stops, built by Rieger Brothers as opus 763 in 1899. It is on my list, but I have not recorded it yet.

This text was generated by AI from curated notes and may contain errors. Corrections welcome

The church on Google Maps (opens in a new tab)

The church

The Catholic church of Etyek is dedicated to the Visitation of Our Lady; its Hungarian name is Sarlós Boldogasszony-templom.

  • The medieval church of Etyek was built in the mid-14th century. In 1717 it was consecrated to the Visitation of Our Lady.
  • At the end of the 18th century Swabian (German-speaking) settlers came to the village, and the old church, with room for about 200 people, became too small.
  • The present church was built in 1814–1816 on an artificially raised mound, to plans by József Rieder, master builder of Székesfehérvár. It was blessed on 6 October 1816 and then consecrated by the bishop of Székesfehérvár.
  • The neo-baroque church is 34 metres long and 14 metres wide; its tower is 43 metres high.
  • The church was renovated in 1934, in the 1980s and after the earthquake of January 2011.

The organ

According to Ferenc Solymosi's Rieger opus list, Rieger Brothers (Gebrüder Rieger) built this organ in 1899 as opus 763, with mechanical key and stop action and cone chests. The "Opus 763" plate on the console matches it. The organ has not been altered since 1899.

Builder
Rieger Brothers
Opus
763
Built
1899
Manuals
1, with pedal
Stops
10: 8 on the manual, 2 in the pedal
Action
Mechanical
Recording
Not recorded yet

Stops and playing aids

The Etyek organ has exactly the stops and playing aids of the Rieger organ in the small Catholic church of Mór, opus 796 of 1900, as printed in András Dékány's study of mechanical Rieger organs. I compared them on 28 October 2026. Mór was built a year after Etyek, 33 opus numbers later.

Stop
Manual C–f³, 54 notes
Bourdon 16'
Principál 8'
Födött 8' (Gedackt)
Gamba 8'
Salicionál 8'
Octava 4'
Dolce 4'
Mixtúra 3 sz. 2 2/3'
Pedal C–d¹, 27 notes
Szubbaß 16'
Oktávbaß 8'
Coupler
Pedál-coppel, manual to pedal.
Combinations
Mezzo-forte and Forte. Which stops they draw is not known yet.
Other
Crescendo u. decrescendo. What it does is not known yet.

The names are those printed for Mór. My photo of the Etyek console is too blurred to read every label letter by letter.

According to Dékány, the Mixtúra has three ranks: 2 2/3', 2' and 1 1/3' at C, breaking back to 4', 2 2/3' and 2' at c³.

Whether any stops share their pipes is not known yet. Rieger often built combined stops, in which one rank serves two stops an octave apart, and according to Dékány the most common pairs were exactly those of this stoplist: Principál 8' and Octava 4', Födött 8' and Bourdon 16', Salicionál 8' and Dolce 4', Szubbaß 16' and Oktávbaß 8'. His table marks none of the Mór stops as combined, but he did not examine that organ himself. In Kolárovo, whose Rieger organ of 1896 has exactly these ten stops, the Slovak organ catalogue's survey found the two 4' stops, the Bourdon 16' and the 8' pedal stop borrowed. A combined Bourdon of Rieger's starts only at the second C of the keyboard, so the lowest octave of the Bourdon 16' is the first thing to check.

What the console photo shows

The console of the Etyek organ: one manual, a single row of ten round stop knobs, the Opus 763 plate and four foot tabs below the keyboard (larger photo)
The console of the Etyek organ.
  • One manual and a single row of ten stop knobs. The last knob reads "Mixtura".
  • An "Opus 763" plate, which matches the opus list.
  • Four foot tabs under the keyboard, reading "Pedal koppel", "Mezzo forte", "Crescendo decrescendo" and "Forte" (the accents and hyphens are not legible). They match the playing aids in the Mór list.

Organs with the same or a similar stoplist

Rieger built this ten-stop organ more than once. Mór and Kolárovo have exactly the same stops; Csanytelek and Boldog differ only slightly. I have compared only the Mór stoplist with Etyek myself; the others come from Dékány's study and the Slovak organ catalogue. The Szentpéter organ on my own list is a two-manual relative: it has these ten stops plus a Csucsfuvola 8' and a Cello 8', with the Octava 4', Dolce 4' and Bourdon 16' borrowed in the same way.

Still to find out

  • The exact Etyek spelling of the ten stop labels, the builder's nameplate and the four foot tabs.
  • What "Crescendo u. decrescendo" controls, and which stops "Mezzo-forte" and "Forte" draw.
  • Whether any stops share their pipes with another rank.

Sources